Applique tools

Whilst I love applique I know many people don’t. It can be slow and fiddly but there are times in life that I need to slow down and sit with a needle and thread to think about things. The sewing machine is great for getting things done quickly and putting large pieces of fabric together but for small detailed work nothing beats a good needle and fine thread!

When sewing anything by hand it’s important to have the right tools, a poorly manufactured needle tugs and pulls through fabric.That’s no fun! If your needle is too big it makes large holes in the top layer and then the stitch becomes very visible.  Thick thread sits on top of your work and screams out look at me…  a thread that keeps snapping or tangling can really test your patience. So if you are not enjoying applique it may be time to try a new needle and thread.

When I first started to sew I had no idea what all the numbers and words meant on a needle packet or a spool of thread. Now I know what my favourites are and when to use them. I know that for applique I need fine thread and that usually means 50wt or higher. But not always, unfortunately thread manufacturers haven’t really agreed on a system for measuring thread weights so its important to feel the thread before you order it.

I like to match the colour of the thread to what I’m sewing on for example, for sewing a yellow circle onto a black background I choose yellow thread. I like using the finest thread possible so that whenever the stitches are visible they are barely there. For years I used Aurifil brand thread in a 50wt but recently I’ve started to use a polyester thread that looks like silk. I still use Aurifil for machine piecing and hand sewing but have switched to Superior Bottom Line Thread for hand applique.

 

 

 

 

 

 

 

 

 

 

This thread is usually used for the bottom thread of the sewing machine and comes pre wound on cardboard bobbins. I find I can get by with just a handful of neutral colours but one day I may splurge and buy a rainbow of them!

When I do need a particular colour I select from my super handy Prewound Masterpiece Threads Donut. It’s hard not to find the right colour here!

 

 

 

 

 

 

 

My favourite hand piecing and applique needle is a milliners/ straw size 11. I find it is long enough to help me with needle turn applique and holds many stitches for hand piecing. The small eye of the needle means it also doesn’t make big holes in your fabric and you only need a small knot to anchor the thread. Needles are fairly inexpensive so I encourage you to invest in a well manufactured needle! You are looking for a gentle taper from tip to eye, a needle free from burrs that may catch on fabric and a smooth polished eye that doesn’t shred your thread. A fine, straight and sharp needle is a joy to sew with. There’s lots of interesting information on the net if you want to know more about needles.

If you’ve tried to applique by hand and you really don’t think you will come to like it, don’t give up. There are some amazing things that can be done with a sewing machine these days. Michelle Hill is an Australian who has really perfected this technique and her classes are highly sought after. You can read through her basic instructions for machine applique in these instructions for a pattern published in Issue 38 of Quilter’s Companion.

What other tools will you need? Well it depends on how much applique you do. I like small sharp scissors, a wooden manicure stick to help turn fiddly points and some Dritz Fray Check in case I snip a little close to the seam and I’m worried about fraying. Some people like to use small applique pins but I’m not that bothered. If the pins really get in the way I tack my applique down with thread and snip that off later.

So there you go, that’s my tools for applique. Everyone has their favourites so go ahead and use what gives you the best results.

Read my previous post about applique for some tips and techniques.

Progress: Little Apples

Well imagine my surprise when Aneela Hooey herself mentioned my first Little Apples hexagon block on her blog! I mean, could there be any greater honour than the fabric designer herself liking what you’ve made with her creation?

I’m quite taken by the Little Apples fabric range. The more I cut into it, the more possibilities I see in fussy cutting and complementing it with other fabrics in my stash.

Like the vintage Kaffe Fassett in the centre of block #10. I think it looks like disco balls with hedgehogs dancing around.

And whilst this quilt began as a way to learn a new technique I am determined to complete a full size quilt now, just so I can play with these cool shapes and create kaleidoscope like blocks. I wake up with new ideas of how to transform a lone little turtle into a sophisticated patchwork block.

Or form new shapes from barely recognisable items of clothing…

I think my favourite so far is the Super Reading Girl block. She is so cool with her book in hand and the mustard text swirling around.

I’ve been taking some photos and putting together a little tutorial on how I’ve been constructing these block. I feel so liberated sewing these by machine. No papers to tack, no slow whipstitching and the backs are just as pretty as the fronts with all their swirled seams.

I’m thinking that the Marti Michelle templates are better than any cutting system as you can align them directly over the fabric for fussy cutting.

Now excuse me as I get back to playing with my fabric… x Lorena

Fine fabric, friends and food = FUN!

This weekend I attended the Quilters Gathering at Ulladulla. I first went to one a few years ago and had such a wonderful time I was keen to go again. Life often gets in the way of doing what we really want to do and then there’s the guilt of starting yet another patchwork project.

But an important lesson I took way from this weekend (apart from all the fabulous construction techniques) was that I enjoy focusing on the journey not the destination! I love learning new ways of doing things, playing with new fabric and making new friends. If I have a finished quilt at the end it’s a bonus that my family appreciates.

My workshop was the Hexagon Stars with Catherine Butterworth, a Marti Michelle educator. Catherine is a great teacher and lots of fun. Her instructions are clear and she’s so generous with all her tips and hints. I feel that after 2 days I have all the knowledge necessary to explore and construct my own beautiful blocks using the template set. As an aside I had purchased the book (Six is for Hexagons by Marti Michelle) and templates last summer but was a little overwhelmed to try it, the workshop definitely helped but I’m sure you could work it out if you can read the instructions from cover to cover. That’s all I needed to do - RTFM!

Her teaching quilt was gorgeous, full of fussy cut treasures, interlocked and leading the eye over the quilt surface, like a tapestry.

This is just a quick snapshot I took showing the different fabrics she chose to fussy cut.

Whilst the heavy dark tones didn’t really do it for me I could see that this technique leads to wonderful results. And it’s all machine pieced!! No piecing over papers, stitches all neatly tucked away. It’s pretty cool.

 

Here are my blocks:

I kept my first block simple, a big hexagon and radiating triangles set in with diamonds.

I used the Little Apples Layer Cake by Moda. I picked it up because it was such a bargain but had no idea what to do with it… the fabrics are so stinking CUTE!

I followed instructions and the whole block came together beautifully.

 

This is the second one I did using the more complex construction technique of “inset Y seams”. Usually these would send chills down my spine and I’d revert to hand sewing but with accurate pieces and “engineered corners” it also went together beautifully.

Except for my picking up one Hula Hoop girl and stitching her in upside down, OOPS!

 

I was getting pretty confident by block number 3.

I played around with different points on the radiating triangles.

Loving the Little Apples fabric by now… not loving the fabric stash I picked to coordinate.

Did I mention there’s a quilt shop down the road? 30% discount for attendants? Handy!

 

Ok, this one was a bit of a stretch. Diamonds made from 4 pieces of fabric means I had to really look at the grain lines carefully. Lots of cutting, simple edge to edge sewing and carefully pressing.

I don’t want this quilt to be too cute so just used the Dotted Lines from the Little Apples fabric. I think it looks like stitching…

 

 

This isn’t saying table runner or wall quilt to me… I think it’s gotta be another bed quilt.

Looking forward to receiving a little bit of yardage to play some more.

 

 

Other workshops were being taught by Beth and Trevor Reid, Lessa Siegele, Jane MacDonald, Michele Hill, Jenny Bowker, Gail Simpson and Bernie Varkevisser. At show and tell after dinner on Friday we saw all the stunning teaching quilts and last year’s finished projects. Very inspiring.

If you’d like to go to the Gathering next year, put it in your diary for August 17/ 18! If you love patchwork and quilting you wont regret it. The venue was outstanding, they kept us well fed and watered. The company was entertaining and the workshops all looked amazing. Can’t wait to go back!

Week One, Introduction

So much to take in on our first lesson!

It's important that we understand the language of patchwork and quilting and so we introduce the Anatomy of a Quilt. We talk about blocks, sashing, corner stones, binding and all the other elements that make up a quilt.

We also discuss colour and value and their important role in quilt design. Keeping your colour choices to the colours found in your preferred print fabric is an easy way for beginning quilters to select their palette. Have a good variety of fabrics, one or two stars and a supporting cast!

Different fabrics have different strengths within a patchwork design: plain fabrics, large and small scale prints, scattered patterns, stripes and florals. By moving around our cutting templates we can create a different effect within a quilt block, this is called "fussy cutting". Remember to cut fabrics "on the grain" as much as possible, place straight edges of any square shapes along the length of fabric threads. Diagonal edges should be cut on the bias. Following this simple rule allows your blocks to lie flat and ultimately your quilt also be straight.

A quick introduction to the common tools that quilter's use: needles, fine glass head pins, 100% cotton fabrics and cotton thread. Cutting patchwork pieces with scissors is very time consuming, a rotary cutting system can really speed things up. You will need a rotary cutter, a self healing cutting mat and a thick acrylic ruler. Be careful with the rotary cutter, keep it out of reach of children and always engage the safety latch.

Finally, we get to cut and stitch together our first block. We are working on 12" blocks for this sampler quilt. The larger size allows us to complete enough blocks in 8 weeks to make a small quilt. Individual blocks can also be used to make cushions, mug rugs, pot holders and little wall hangings. When stitching together our blocks we use a scant 1/4" seam. All pattern pieces are cut with the seam allowance included.

This week we focus on "nine patch" construction, a simple 3 x 3 grid. Chose from a simple Nine Patch, or the more complex Shoo Fly, Card Trick and Ohio Star. The last three incorporate triangles.