Showing posts with label Hand Sewing. Show all posts
Showing posts with label Hand Sewing. Show all posts

Wednesday, February 29, 2012

Applique tools

#678.2Junkos Rose Gardencheiko's calla lily yoyo

Whilst I love applique I know many people don’t. It can be slow and fiddly but there are times in life that I need to slow down and sit with a needle and thread to think about things. The sewing machine is great for getting things done quickly and putting large pieces of fabric together but for small detailed work nothing beats a good needle and fine thread!

When sewing anything by hand it’s important to have the right tools, a poorly manufactured needle tugs and pulls through fabric.That’s no fun! If your needle is too big it makes large holes in the top layer and then the stitch becomes very visible.  Thick thread sits on top of your work and screams out look at me…  a thread that keeps snapping or tangling can really test your patience. So if you are not enjoying applique it may be time to try a new needle and thread.

When I first started to sew I had no idea what all the numbers and words meant on a needle packet or a spool of thread. Now I know what my favourites are and when to use them. I know that for applique I need fine thread and that usually means 50wt or higher. But not always, unfortunately thread manufacturers haven’t really agreed on a system for measuring thread weights so its important to feel the thread before you order it.

I like to match the colour of the thread to what I’m sewing on for example, for sewing a yellow circle onto a black background I choose yellow thread. I like using the finest thread possible so that whenever the stitches are visible they are barely there. For years I used Aurifil brand thread in a 50wt but recently I’ve started to use a polyester thread that looks like silk. I still use Aurifil for machine piecing and hand sewing but have switched to Superior Bottom Line Thread for hand applique.

 

 

 

 

 

 

 

 

 

 

This thread is usually used for the bottom thread of the sewing machine and comes pre wound on cardboard bobbins. I find I can get by with just a handful of neutral colours but one day I may splurge and buy a rainbow of them!

When I do need a particular colour I select from my super handy Prewound Masterpiece Threads Donut. It’s hard not to find the right colour here!

frosted-donut-7606a.jpg

 

 

 

 

 

 

 

My favourite hand piecing and applique needle is a milliners/ straw size 11. I find it is long enough to help me with needle turn applique and holds many stitches for hand piecing. The small eye of the needle means it also doesn’t make big holes in your fabric and you only need a small knot to anchor the thread. Needles are fairly inexpensive so I encourage you to invest in a well manufactured needle! You are looking for a gentle taper from tip to eye, a needle free from burrs that may catch on fabric and a smooth polished eye that doesn’t shred your thread. A fine, straight and sharp needle is a joy to sew with. There’s lots of interesting information on the net if you want to know more about needles.

If you’ve tried to applique by hand and you really don’t think you will come to like it, don’t give up. There are some amazing things that can be done with a sewing machine these days. Michelle Hill is an Australian who has really perfected this technique and her classes are highly sought after. You can read through her basic instructions for machine applique in these instructions for a pattern published in Issue 38 of Quilter’s Companion.

What other tools will you need? Well it depends on how much applique you do. I like small sharp scissors, a wooden manicure stick to help turn fiddly points and some Dritz Fray Check in case I snip a little close to the seam and I’m worried about fraying. Some people like to use small applique pins but I’m not that bothered. If the pins really get in the way I tack my applique down with thread and snip that off later.

So there you go, that’s my tools for applique. Everyone has their favourites so go ahead and use what gives you the best results.

Read my previous post about applique for some tips and techniques.

Wednesday, June 1, 2011

Week 5, English Paper Piecing


This image of an antique quilt is from www.snippetsnscraps.blogspot.com/2010/07/peeling-back-layers-2.html
English Paper Piecing is a patchwork technique steeped in history and is still used extensively by modern quilters. It's a particularly useful technique for creating one patch quilts (quilt tops made from one tessellating shape) and blocks with many inset or “y” seams.




This is part of a corner block from the Jane Stickle quilt.


Many quilters like sewing over paper or cardboard templates as the project can be carried along and sewn by hand. Piecing a complex shape with straight sides using the English Paper Piecing method is pretty easy and as long as your templates are cut to the right size, the pieces will always fit together. You don’t really need to worry about accurate ¼ “ seams either.



This block was made using The Sometimes Crafter excellent Tutorial, you can download templates there too.
Rather than reinvent the wheel and try to put everything in my own words I recommend you head over to www.lizardofoz.com.au/Free_Stuff/Pdfs/English_piecing.pdf for a definitive guide on English Paper Piecing. They sell pre made templates from lightweight card. These templates are also available from your local quilt store and online.




You can also print out your own templates by using websites such as http://incompetech.com/graphpaper/trianglehex.html Alternatively you can draft templates using graph paper and trace the shapes onto card. I've uploaded a couple of graph papers here to get you started:








By fussy cutting the fabric for each shape you can create secondary patterns with just one piece of fabric. Be warned... This can be a lot of fun and very addictive!



The cardboard templates can be reused many times so don’t throw them away. Be sure to sort all your different sizes and label them as a slight change in length of a side means your shape will not tessellate properly. Take care when cutting out your templates too, try and cut in the middle of a printed line and allow for the extra bulk when you are tracing templates.


Once you've made your shape you can either applique it onto a square of your background material or keep adding hexagons, diamonds etc till you have enough to cover the area of your block. It is possible to create a square edge by trimming shapes around the edges, make sure you remember to leave a seam allowance!